Thursday, May 29, 2008

Viewpoint - Jane Austen in Delhi

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Jane Austen in Delhi

What if Delhi had its own Jane Austen Society?

[Text and picture by Mayank Austen Soofi]

It’s such happiness when good people get together — and they always should. Everyone — young and not-so-young, straight and not-so-straight, single and not-so-single — should be invited to join the Jane Austen Society club. The only condition being that you must have read all six of Austen novels at least six times each.

Each Sunday evening, after completing their purchases in Daryaganj’s Sunday Book Bazaar, Austen admirers would gather in front of Urdu Bazaar and sit on the Jama Masjid stairs.

Over doodh-waali chai and biskut, they would enjoy and appreciate Austen’s novels. There would also be a guest of honour at each meet. For instance, firangi backpackers from the unsanitary bowels of Paharganj would be invited to share how Delhi belly keeps them “in a continual state of inelegance” while residents of North Delhi would complain of snobbish south Delhi’s myopic belief that their Delhi is the only Delhi (ah, “one half of the world cannot understand the pleasures of the other”).

The Society would also be a platform for young people, especially pretty gals, to share their delights and disappointments. After all, any girl, whether she is from Vasant Kunj or Vikas Puri, “likes to be crossed in love a little now and then.” The boy friends are only too obliging. The society, it is hoped, would “certainly be the finest balm for the pangs of disappointed love.”

Who could deny that an Austen admirer in possession of some spare time must be in want of lace and needles, in addition to Page 3 gossip? Delhi, fortunately, has no dearth of some elegant tailors. This Jane Austen Society would host an eminent fashion designer, a new one each week, teaching you how to stitch petticoats. Learning to make lehengas, achkans, and sherwanis, however, would require extra payment.

The society would aim to make Jane as cool as J K Rowling. It is a truth universally acknowledged that the English departments of our colleges have been rather unfair to Jane and have actually dumped her in the classics section. Delhi’s Jane Austen Society would show our professors and parents that she is too sexy for classrooms.

Perhaps the following inelegant multiple-choice questions as shown below should be included in the exam papers:

What unprintable act is Austen describing in the phrase, “Astonished and shocked, she was almost ready to cry out, but checking her desire, confined herself to this silent ejaculation”?
M********ion
C******ion

Where was Austen jogging when she felt that “We do not look in our great cities for our best morality”?
Buddha Jayanti Park
Ansal Plaza Parking

What was Austen referring to when she confessed that “I am afraid that the pleasantness of an employment does not always evince its propriety”?
Eve teasing
Adam teasing

The society would also occasionally conduct walking tours in the city where you might pretend as if you are strolling the grassy verdant grounds of England, and not the sunny smoggy steamy lanes of Delhi. You can also hop by landmarks like Ghalib’s haveli in Ballimaran and recite his verses as passionately as Marianne Dashwood recited Shakespeare’s in Sense and Sensibility.

At the end of each meet, the members would, of course, have a discussion to determine what weather they should expect next Sunday.

Tuesday, May 27, 2008

Living - Those Delhi Summers

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Picture by Mayank Austen Soofi

Delhi's wretched heat has lost its zing.

[Text by Sadia Dehlvi, picture by Mayank Austen Soofi]

I must be growing old for I don’t look forward to dining out any more and since summer is not party time, the season comes a huge relief. Thankfully, there are no really happening events that one must be seen at while attempting to grab the photographers’ eye so that the illusion of belonging to the world of the bold and beautiful stays afloat.

Frankly, it is just true friends who bother to venture out to see one another in the blazing heat. Good time to discern between “friends” and “contacts”! In the frenzied networking culture of an address conscious city, the lines between the two are usually so blurred that some never discover the divide till they loose a position of authority and their friends along with it.

Delhi like most metro cities is becoming increasingly ruthless with zero tolerance levels be it with friends, stray dogs, the BRT, water or electricity supplies; the rage rises along with the temperatures.

Once upon a time, there used to be a romance about the summer and the denizens of Delhi survived quite happily in the pre-technology days. The hot noon winds were transformed into a perfumed cool breeze through dampened screens made of khus fibre. At night we slept under the starlit skies on the terrace that were doused with water each evening. Amma would then gather the motiya and raat ki raani flowers that had been plucked from the garden before sunset and place them on the charpais of all her married sons.

The flowers were taboo for us girls as Amma warned us that the fragrance would invite djinns who might become our aashiq. Rebellious as I was, one never tried to defy this rule for the prospects of a djinn lover never seemed exciting and didn’t seem worth the risk. Djinns don’t frighten me any more for having survived multiple husbands with obsessive disorders.

As the leaves of the amaltas and gulmohar trees changed their hues to fiery oranges and yellows, the aroma of sandal, unaab, bazuri, gauzaban, falsa, bel and charon maghaz sherbets filled the home. These home-made thirst quenchers were served with a spoonful of tukhme balanga to double the cooling impact. Delhiwallas have always been very particular about taseer, the effect of a food one one’s mind and body.

Some of the summer season’s fruits that one doesn’t see anymore with regular vendors are gonni, khirni, shahtoot and kaseru. I remember collecting baskets of kachnar flowers and goolars that were strewn on the city’s streets and handing them over to the cook who made delightful meals with them. In nostalgic moods I sometimes venture to old Delhi and walk around the gali-kuchas of Maliwara and Ballimaran where these vegetables and fruits are still sold.

God bless my grandmother’s soul, she used say that the city’s dry heat, dilli ki loo was healthy and that it killed the unhealthy germs in the body. Amma was no medic but like others of that generation, she resorted to nature for antidotes to the city’s high mercury levels.

Each morning as Abba headed out to work, she would hand him an onion that was sometimes strung around his neck or just kept in the shirt pocket to keep heat strokes away. If any of us got fever from the heat, raw mango was boiled and its pulp was sprinkled over the body. The remedy actually worked but surely if I ever attempted to do something similar with Arman, my fifteen year old lad, he would think I have lost the plot completely.

Wednesday, May 21, 2008

Obituary - The Bookworm, Connaught Place

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Obituary - The Bookworm, Connaught Place

Delhi’s legendary bookstore is to die, aged 31.

[Text and pictures by Mayank Austen Soofi]

The Bookworm, a 31-year-old landmark at Connaught Place’s B Block that has been visited by booklovers like Satyajit Ray, is closing down. Blame it on the declining business caused by the rise of bookstore chains and cheaply priced pirated books in the city.

Desperate to roll down the shutters as soon as possible, this legendary shop that always insisted on selling books at their list prices is now clearing its stock of around 20,000 books by offering up to 70 per cent discount. “By monsoon, it should be all over,” says Mr. Anil Arora, the owner.

Those ready to mourn the disappearance of independently owned bookshops must refrain. The Bookworm is not the only such store in town. Perhaps not even superior. Basant Lok’s Fact and Fiction has the most eccentric collection; Khan Market's Bahri Booksellers has the most informed staff; while Jor Bagh's Book Shop, as recently described by New York Times, is “the coziest bookstore in the country.”

However, a bookstore’s persona is not created by its professionalism alone. An entire set of intangible something that cannot be defined but which is an absolute must in making up the romance of a place is needed. The Bookworm has that mood. Since 1977, when Arora replaced his liquor store with this bookshop, the spiral staircase, the revolving bookcase, Nabokov in the corner, Chomsky on the first floor, and Miles Davis and Bill Evans as background singers have been luring booklovers here.

And then there are the 11 bookshop assistants, so nice that they never embarrass any regular by asking for payments of books purchased in times past.

The Bookworm’s charm would be incomplete without them. The smiling Ms. Shalini Rose has been manning the desk for 21 years; Mr. Amarnath Shukla “keeping an eye on everything” for 29 years, and Ms. Kim Mawipiakim assisting Shalini for two-and-a-half years. They all, including their boss, are now making plans for life after The Bookworm. Mr. Arora will change business, Ms. Rose is moving to London and Ms. Mawipiakim is a “young girl who will have no dearth of jobs.”

According to Ms. Rose, the golden era of the bookshop lasted till 2000. In the new millennium, the corporates intervened with their large bookstore chains, stealing quite a few of the Bookworm’s loyalists. “People came here from far flung areas like Gurgaon but now they have bookstores in their own neighbourhood malls,” says Mr. Arora.

Shops offering huge discounts made things worse. Yet not all bookworms shifted loyalties. “We have readers coming here since their college days,” Mr. Arora says. “They change jobs, cities and countries and yet they keep coming,” he says. For instance, the owner of a popular restaurant chain has patronised the shop since the day it opened.

Curiously, over the years The Bookworm’s bestsellers have remained the same — Catch 22, Seagulls and Agatha Christie mysteries. The only contemporary classic that joined this exalted company is Arundhati Roy’s The God of Small Things. “This novel has a consistent sale and it is probably the one whose copies we have sold the maximum,” says Mr. Arora. Boookworm’s closure will be Roy’s loss too.

Mr. Arora and his lost empire

Obituary - The Bookworm, Connaught Place

Books on discount

Obituary - The Bookworm, Connaught Place

The dying breath

Obituary - The Bookworm, Connaught Place

Ms. Shalini Rose (left) and Ms. Kim Mawipiakim

Obituary - The Bookworm, Connaught Place

Bye bye Bookworm

Obituary - The Bookworm, Connaught Place

Sunday, May 18, 2008

Photo Essay – The Joys of Poverty

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The Joys of Poverty

Shame and shamelessness in the walled city.

[Text and pictures by Mayank Austen Soofi]

Every city has its own Calcutta, that mythical city of the living dead where white people come to write books like The City of Joy. The walled city is Delhi’s private Calcutta.

The region around Jama Masjid has no romance. The breathtaking beauty of the Mughal monument has no pride. This is as it should be. For this historic quarter is unfolding an unending tragedy: the brutality of extreme poverty and how it has stripped some of our fellow human beings of all dignity and how we, the priviledged, have grown used to it.

Take a walk here. Look around. Look especially into the eyes of pavement people. You will notice there is nothing there. Not even despair. That too has died.

These men, women and children sleep over gutters, scavenge for garbage rotis, eat maggoty meat and smoke smack to get away from this world. Silent and listless, they have become so much a part of the Old Delhi scenery that they are no longer noticed by people like us.

Women gossip, men get haircuts, boys watch naked women’s posters, and tourists walk past on their way to Kareem’s restaurant without even a glance at these wretched of Old Delhi. In our scheme of things, they have already died.

Happily hopeless

The Joys of Poverty

What's life?

The Joys of Poverty

No today, no tomorrow

The Joys of Poverty

Gutter dreams

The Joys of Poverty

Arms and the man

The Joys of Poverty

Smack buddies

The Joys of Poverty

The living dead

The Joys of Poverty

Let's have more

The Joys of Poverty

No regrets, no disappointments

The Joys of Poverty

Don't wake me

The Joys of Poverty

Some hope this

The Joys of Poverty

Friday, May 16, 2008

City Life - Raving 'n' Ranting in Gay Delhi

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Raving 'n' Ranting in Gay Delhi

Friday night in an über-fashionable club.

[the author, wishing to remain anonymous, describes himself as "an amateur clubber of some experience"; picture for representational purpose is by Mayank Austen Soofi]

The views expressed are of the author's alone.

Delhi is a city that never, in my opinion, fails to live up to its image in the international eye. A city that, for all those who care to talk of it at all is always mysterious and unfailingly disappointing in all that it promises. This was borne out yet again at an über-fashionable club that I went to.

Now, notwithstanding my suspicions on the quality of experience that gay Delhi can offer an immigrant, I was quite enthralled to read online of the launch of a club night at a supposedly extremely high-society nightclub cum restaurant here. To make it sound all the more plausible as an evening of genuine pleasure, the organizers were from Bombay (the norm is that anything from other than a Delhi farmhouse deserves credibility), and the DJ had played at the Love Parade in Berlin the year before.

Perfect, thought I, for the only other concern, about the riffraff from across the river or the suburbs, say, would also not be allowed in, for the entrance charge alone would serve as a deterrent. I had envisaged something like a rave, except one wouldn’t call it that, for the naff connotation.

As always, one was in for the surprise of a lifetime.

I, with my knowledgeable friend, walked to the club door, to be encountered by a Sikh man, bulging with ghee biceps, who, we presumed, was the bouncer. We dutifully paid our £12 per head (!) entrance charge and wished him a pleasant evening in response to his “Welcome Sir” during the stamping-thy-wrist ceremony.

We entered, and were taken aback by the stark nakedness of the club. As if to compensate for the high rent hence minimal space, the ceiling was three floors high (two and a half? Must check with the DDA). There was a stationary strobe framed in a red plate glass rectangle, suspended from the roof, alongside a red plate glass mammoth butterfly. The walls here are white, another deliberate attempt at making the place look bigger than it is, and there are candles in niches along these walls.

These were being lit when we walked in, clearly as an afterthought, for it was well after the advertised time for the party to begin. The music at this time was decidedly ambient lounge, and with only about six other people inside, we chose a bar seat to be at. I want to say here that the bar was stocked with syrup in all colours of the rainbow, and then some – whether it was in celebration of the gay evening or shamefully obvious proof of their under stocked existence is a moot point.

The coupons they’d given us at the door were good, as it turned out, to get a free drink. A Smirnoff with Red Bull (God forgive me for using brand names here) could be just about ordered for all they were good for. Only they used a cheap substitute for the RB – import duty on it is too high, a well-tipped bartender later let me in on – and the S could not be detected in these drinks by the simple means of drinking them. As always, getting drunk here took some imagination.

As it happened, the crème de la crème aren’t expected to object to undetectable vodka at any cost in this city (This absolves 1911, a favourite haunt of mine, least for the genuineness of its martinis, of any guilt).

The bar staff wore decent black polo neck shirts with the butterfly club logo on them. For a gay night they could’ve pulled off being in tank tops or something though, especially considering virtually all of them had somehow received their shirts in sizes so big their white everyday vests peeped through next to the collars. The natives, of course, made nothing of this, being used to this sort of shabbiness in ‘servants’, which makes their own Zara-type clothing appear that much superior.

Normally called the ‘gentry’, the crowd that eventually gathered at the club was remarkable only in its sartorial staidness. Racially diverse, because we have a generous smattering of diplomats (polite speak for embassy clerks paid in euros) here, the only things deserving any attention of the gay man’s eye were three designers. I mean the 48-trying-desperately-to-look-24 designers themselves, not their clothes.

It’s true I didn’t check if the jeans on any of the collected butts were H&M or Armani, but then that’s the butts’ uninviting nature, no lack of curiosity on my part. Other than that, I do not think, as an earner of bread from designing couture, that a white button me down shirt is club wear.

The high point of the low character of the attendees came when a man elbowed his way to the bar counter, right next to me, proceeding to pull the ashtray I was using well away. Now this, in anywhere even half as civilized as any land once ruled by Englishmen, is a thuggish way to behave. Fortunately, a cold stare prompted him to move it back half way between him and me.

I also noticed a well-above-average presence of the lesbian population, perhaps because they’re cleverer at figuring out when and where they’d be least at risk of molestation in this, our lovely boob-teasing Capital of the rapacious straight males.

Okay, there were only two power cuts, when the whole club went black, but this was taken by most as an intentional grope moment both times, before the backup came on.

The men’s loo, as usual, was a hot spot, not of the kinky variety but of innocent feeble-wristed gossip about hairstyles and low thongs.
The ice cubes with which the urinals were piled (a concept well learnt from South-East Asian lands) melted down with some angst at the accumulating piss, but were not replenished throughout the evening (an obviously unnecessary detail not learnt).

Now for the least important part of an evening promoted with all the force of humanity as an up-to-any-international-standard music and dance club night. Their website had promised the following:

We’re tired to death of LGBT places wanting in good modern music.
This is a serious attempt at providing those very evenings in India, which, going by our vast experience, are so easily had in London, San Francisco, even Bangkok.
We are going to play drum & bass, techno, house, underground music.
Our DJ played at the Love Parade in Berlin last year, and is super cool.
We know what’s in around the world, so don’t worry about our Moscow-nightclub type charges (though clearly, we don’t even have to shell out on getting any snow shoveled from the doorstep).


Now, here’s what they played:

At 11 pm, instrumental lounge music, the type played by Air India.

At midnight,the following tracks:
a)Please don’t stop the music.
b)We are family – I got all my sisters with me.
c)I’m gonna send you to outer space, to find another race – don’t ask, it’s Prodigy’s only mistake ever. Or perhaps The Chemical Brothers’. This track is so bad I can’t be bothered to google it.
d)It’s my life – I swear I am not lying.

At 1 am,
a)Please don’t stop the music – again.
b)We are family – again. (a trifle louder that made their output system go bmmmm)
c)That’s the way, I like it.
d)Not even any Amy Winehouse.
e)Nothing that could remotely pass off as drum & bass, techno, house or underground.

The 500 or so people collected there by this time were experiencing some sort of a musical epiphany – as if this was the best time they’d ever had in their lives. Perhaps it’s true they still do E at Delhi nightclubs, or maybe anyone with this kind of a Friday night expenditure budget is simply so old that retro pop summons happy memories for them. I left at this point, leaving the Delhi queens rocking, but I am inclined to believe the dawn witnessed them sashaying to Summer of ’69.

Wednesday, May 14, 2008

Guest Column - From Djinns to Pandavas

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From Djinns to Pandavas

My journey into the mysteries of Delhi.

[By Rudradeep Chakrabarti; picture by Mayank Austen Soofi]

I stand on the banks of the Yamuna at Nigambodh Ghat. I reflect on my exploration of the City of Djinns – Making of a Theatre, a play I directed in the summer of last year. It was reverse osmosis; neither the journey of Bahadur Shah Zafar from Delhi to Rangoon nor Mirza Ghalib's travel to Kolkata. Mine was the journey of a young man from Kolkata's theatre hub, Academy of Fine Arts, to Delhi's Mandi House. In 2002, I enrolled at the National School of Drama.

Growing up with Tagore, Satyajit Ray and that doyen of theatre, Badal Sarkar, I was a new migrant trying to understand Delhi in the cafes of Mandi House. Soon I found myself drawn to the elegance of Urdu and the earthiness of Punjabi. I was also enchanted by the extraordinary cosmopolitism of this city where Haryanvi, Bhojpuri and Purabiya Hindi were like second languages. I wondered if I could ever do a play that encompass the multiple aspects of this city.

In 2006, while traveling in Coromandel Express from Chennai to Kolkata, I found myself reading William Dalrymple's City of Djinns. By the time the journey finished, I had decided to turn the book into a play. But how? I had no idea. Soon things started happening on their own. One thing led to another. I got the budget. Dalrymple too agreed and Tom Alter and Zohra Segal became my actors. But the best part was my excursions into the cityscape while working on the script.

I gossiped with Sikh taxi drivers, dunked down chai after chai with the Muslim shop owners of Chitli Qabr, searched for the eunuchs in Turkman Gate, and listened to the Thursday qawwalis in Hazrat Nizamuddin dargah (and discovered a great Kashimiri dhaba in the adjoining bastee). Delhi was opening up to me and I responded back with an equally fierce passion.

I would walk nights and explore places Dalrymple had mentioned in his book: kuchas, bazaars, and havelis; all crumbling into ruins. There was a different world there once upon a time and I set about the task of recreating that lost era. But could I stir life in those old mansions, light up stories of forgotten streets and bring kings and sufis back to life? Could I paint the family life of Shahjahan from Manucci's writings? Could I make the cake-and-tea life of Anglo-Indians look real? How would I do justice to the plight of the Sikh widows of Trilokpuri?

I was possessed.

And just where to find Dalrymple's pehelwans, pirs and yunani hakims?

But stuff happened and things fell into place. We were a gang of theater actors and it helped that all of us were hungry to sup on Delhi to the full. The show was premièred in April and received rave reviews. Much has happened since then.

I'm now back in Nigambodh Ghat. This time I'm doing a play on Mahabharat. This is a new epic, a new world and a new city. This Delhi of Pandavas is completely different from the Delhi of djinns. The journey has begun.

Sunday, May 11, 2008

Photo Essay – Arundhati Roy Sightings

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Photo Essay – Arundhati Roy Sightings

There goes the jazz tune.

[Text and pictures by Mayank Austen Soofi; the above picture, taken in the South Extenson market, is by Pablo Bartholomew]

Is it true that Arundhati Roy live in a barsati in Green Park? One late morning a friend called up saying that she has spotted Arundhati Roy in a café there. She said, “Mayank, I always think of you when I see Arundhati Roy."

But Arundhati Roy has also been rumored to be living somewhere in Chanakya Puri. A few others have told me that she actually has a writer’s studio near Khan Market with windows opening out to the tombs of Lodhi Garden.

I have walked for hours in all these three places, along with my paperback of The God of Small Things, hoping to catch a sight of her.

But I saw no Arundhati Roy.

I don’t surrender easily. After multiple re-readings of her novel and essays, I have a good idea of Arundhati Roy's likely hangouts. In fact, it was in Jantar Mantar, on April 4, 2006, when Medha Patkar was on hunger strike that I saw her for the first time in flesh-and-blood.That day I wrote the first blogpost of my life:

“After an hour of sitting, staring, listening, observing and generally feeling awed by the utter simplicity of the scene, I noticed a strikingly beautiful woman, thinly-built, walking into the venue. Wearing an exotic-looking necklace, she looked familiar. She was Arundhati Roy! Dark, radiant, with her curly nest of hair, she threw a tender look at Medha and then sat down with others.

At the other end of the pavement, lunch was being served from a big cauldron. The menu consisted of a porridge-like
moong-daal khichdi, the kind which is generally recommended during an upset stomach. The khichdi looked so unappetizing (and unhygienic) that in spite of all my comradely feelings towards the Narmada activists, I did not dare to sit down for this lunch. But Arundhati Roy, refusing a special lunch packet consisting of subzi poori, helped herself with this very same khichdi instead. She then sat down on the footpath and ate the whole thing with seeming relish and even licked the pattal clean with her fingers.”

The next time I met Arundhati Roy was on September 6, 2007. It was during a book launch ceremony at Ambassador Hotel. Khushwant Singh was on the dais. I was busy clicking his picture when a friend, who had come to dunk down free wine, pointed out to a corner. Arundhati Roy! In white saree and pink bouse, she looked like the Rahel of The God of Small Things.

“Her wild hair was tied back to look straight though it wasn’t. A tiny diamond gleamed in one nostril. She had absurdly beautiful collarbones and a nice athletic run.”

I asked her, “Mam, I know it’s not good manners but can I click your picture.” She smiled and nodded. My tipsy friend too clicked a picture of me with her. I looked like a Dracula but it did not matter.

Dracula in vicinity

Arundhati Roy -II

An independent mobile republic

Arundhati Roy - I

On February 13, 2008, I saw Arundhati Roy in Press Club of India. She had come to demand Indian citizenship for the controversial Bangladeshi author Taslima Nasreen. There were other eminences around but I was bewitched by my author and my camera lens did not lose its focus.

With fellow writer Mahashweta Devi

Mahashweta Devi & Arundhati Roy

In support of Taslima Nasreen

Photo Essay – Arundhati Roy Sightings

On April 11, 2008, I spotted Arundhati Roy in a most unexpected place. At around 10 pm, I was coming out after doing my haziree to the dargah of Hazrat Nizamuddin when I saw her in the bustee bylane. I had a feeling that she recognized me but...how can that be possible?

A chance encounter in Hazrat Nizamuddin Bustee

Arundhati Roy Sighting

On April 26, 2008, I managed to smuggle an invitation to the launch of her new book The Shape of the Beast - Conversations with Arundhati Roy. At 7 pm, I reached the Olive restaurant at Hotel Diplomat, in Sardar Patel Marg, and there she was surrounded by important people of the town. I stayed there for an hour and followed her as she walked from one group of guests to another.

She did not notice me.

Soon I started feeling lonely and so I walked out and walked for a long time, from Malcha Marg to Shanti Path to Moti Bagh, till I got so exhausted that I stopped feeling lonely.

Arundhati Roy, the bestselling author

Arundhati Roy Sighting

On the morning of 8th May, 2008, I got an e-mail from Mr. Savad Rahman, the sub-editor of Madhyamam Daily, a Kochi-based newspaper:

hi soofi
like you i'm also a fan of ARUNDHATI ROY
she is now in kottayam,kerala her home town
here with attaching two photos took by our fotographer
ARUNDHATI ROY purchasing ginger from a hacker
photo by dileep purakkal


The girl from Kottayam

Arundhati Roy Sighting

Oh, I’m feeling home-sick for Kottayam.

In love with Arundhati Roy

January 1st, 2008 - Letter from The Delhi Walla

Thursday, May 08, 2008

Opinion - What's Wrong with The Delhi Walla?

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Window View - Is That Me?

This blogsite has lost its focus.

[Text by Shaheen Sultan Dhanji; picture by Mayank Austen Soofi]

What has become of The Delhi Walla? Last few weeks, I have had the desire, more than once, to deviate from opening the blog. It has become, simply, drivel.

This is suppose to be THE blog of Delhi and all I seem to be chancing upon is a plethora of articles honouring tombs and shrines and anything "dead". Why is The Delhi Walla tempting the readers with such vehement torture of lamenting, each week?

The Delhi I have casually but tempestuosly imagined to be (thanks to Raza Rumi's recent gratifying travelogue of Delhi - a city I have never visited) is suppose to be vibrant, echoing with all kinds of complexities, oddities, colourful events, historical sites-- and all I seem to be reading recently is redundant stories on tombs, of no doubt beautiful saints however.

Why not keep the standards on a neutral zone? Why not a melange of various subjects that aspires for a more complete flavour of Delhi. It is utmost crucial for this blogsite to have the semblance of the blog as an "addictive" site, where people like myself, who live in the West, can look forward to spend a few moments literally "living" in Delhi.

It was not too long ago, on a rather bitter-cold November winter night in Toronto, that I discovered The Delhi Walla. The blog gaged a sprightly interest in me - an array of beautifully provocative photo-essays mingled with an equal prowess of the writer's penship. I had found my sanctity for the cold winter nights, and the fascination to further my interest in Delhi was becoming charmingly obsessive!

Being a visual artist, the Mughul art has always inspired the passion to learn more, and it is in Delhi where one can trace the historical context. Thus it would be an absolute thrill for the raconteur of The Delhi Walla to engage his readership to a higher altitude of the Delhi.

But, of course, this blog has indeed talked about artists I admire. Writers like Arundhati Roy (loved her Power Politics), Sadia Dehlvi, Khushwant Singh are an absolute euphoria to read. Classical Thumri singer and writer, Vidya Rao, is yet another glee to read on. They all can be seen in The Delhi Walla.

But my point is that there is Delhi beyond Arundhati Roy. The city has abundance of writers, performing artists, poets, and political social activists. Delhi is full of temples, masjids, Buddhist art, and so on. Why not capture and document that vast diversity of Delhi?

In order to survive, this blogside must transfuse the energy back to the vein. Regular readers like me do not wish to be greeted by lackadaisical stories of the recent serial. The essence of having a remarkable blog, and naming it The Delhi Walla, should make it obligatory to reflect Delhi in entirety. Next interlude, please.

Monday, May 05, 2008

Pssss of the Town - Bird Scare, LSD hangover

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Pssss of the Town - Bird Scare, LSD hangover

All the news that’s not fit to print.

[Text by Mayank Austen Soofi; picture by Erik Kurzweil]

At around 4 in the afternoon of April 26th, Erik Kurzweil, counsellor in the German embassy, witnessed an incredible sight in the first-floor guestroom of his Malcha Marg bungalow--a huge bird sitting on the bed and flapping it giant wings.

A terrified Erik closed the door immediately and screamed for Christina, his maid, who scrambled up the stairs wondering if she has forgotten to dust some godforsaken corner ("But I never scream at her," Erik says). She too saw the bird, she too screamed. The security guard was summoned. He did not scream. Neither did the bird. It had brownish skin, beige-and-white feathers, sharp beak and eyes that showed no fear.

"I recalled scenes from Alfred Hitchcock's The Birds where humans were attacked by huge black birds. I thought the bird would gash our eyes," Erik says. A colleague helped by sms-ing the telephone number (24621939, 24651440) of the Defense Colony-based animal organization Wildlife S.O.S which promised to sent their man ASAP.

Meanwhile Erik, Christina and the guard opened the door to the guest room and hid behind a glass wall. They also opened the balcony door hoping the bird would fly out. Brrrr, the bird did hop out towards the balcony, sat there for twenty minutes and, oh, hopped back to the bed.

"I had a sinking feeling that the bird would also call its family. After all this room has a bed, air-conditioner, television and an attached bathroom," Erik says. Christina, rather unhelpfully, remarked that the bird wouldn't even pay rent. Two hours later, the wildlife man who had lost his way appeared with a large cage. Fearlessly he went inside and, after half a minute, fearlessly he came out--with no visible wound!

The bird, neither struggling nor screaming, was firmly held in his hand. "The crisis ended without any bloodshed but that bird did shed many feathers in the room," Erik says. The Black Kite-that's what it was--is now, according to the wildlife man, flying in a forest somewhere outside Delhi with no TV, air-conditioner or attached bathroom in the vicinity.

LSD Days in Delhi

On April 29, the father of the ‘problem child’ left for a trip to the other world. Swiss chemist Albert Hofmann who invented lysergic acid diethylamide, a drug better known as LSD, and who later wrote an autobiography titled LSD, My Problem Child died of heart attack this week at his hilltop home in Basel, Switzerland. He was 102.

Little did he imagine that it would become an iconic drug among the hippies and would be known as mellow yellow, window pane, and acid blotter. As a passionate environmentalist he fancied that LSD would bridge the missing link between humankind and the natural world. Instead, the drug became…well…a child gone astray.

Now just another shortcut to instant pleasure, Hofmann’s baby is reduced to rocking rave parties from New York’s Staten Island to New Delhi’s Paharganj cafes.

Rahul Bajaj, a student in the city's Hansraj College, remembers taking it in a friend’s flat party in North Campus. He says, “It was a longish trip lasting for 10-12 hours. My vision became distorted and I saw pictures moving in their frames, just like in Harry Potter novels. But after a few hours it got too much and I wanted to get out of it.” Ah, a problematic legacy this is.

Saturday, May 03, 2008

City Landmark – Hazrat Sarmad Shaheed, Old Delhi

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Hazrat Sarmad Shaheed, Old Delhi

In the shrine of Delhi’s naked sufi.

[Text and picture by Mayank Austen Soofi]

The sufi shrine of Hazrat Sarmad Shaheed in Old Delhi, shaded by a large Neem tree and lying opposite the eastern gate of Jama Masjid, is a bubble of serenity in the otherwise chaotic district. The noisy biryani sellers and quarrelsome Bangladeshi beggars in the alley outside are unable to disturb the quiet that lurks inside the shrine.

Cross the entrance and you are in a chamber that has been distilled of all the turbulence of the worldly world. Here you can be as calm as Buddha and as cozy as when you were in your mamma’s womb. Nothing stirs the senses. Not even the flaming red walls of the dargah. Everything—the tomb, the tiny courtyard, the sunlight, the occasional pilgrim—conspires to make you lose the concerns of the day. The weary body starts surrendering itself and the worried mind starts forgetting its existence. The heavy burden of one’s being becomes as light as mynah’s feather.

The tranquility of the dargah is misleading though. Its patron saint, Sufi Sarmad, lived a controversial life and died a violent death. People say Sarmad was an Armenian Jew from Iran who converted to Islam, came to Sindh, fell in love with a Hindu boy, grew oblivious to society’s conventions, discarded clothes, became a naked fakeer, and arrived in Delhi.

Here the Mughal prince Dara Shikoh, the heir anointed, took to the naked sufi and became his disciple. But history strummed its own tune. Aurangzeb, Dara’s younger brother, rebelled against his father Shahjahan, killed Dara, and was crowned as Hindustan’s emperor. Not long after Sarmad was martyred by Aurangzeb’s executioners and soon he came to be known as Sarmad Shaheed.

This verse is displayed outside the dargah:

And call not those who are slain
Dead
Nay, they are living
Only ye perceive not


However, all that ishq, janoon, and khoon that defined Sarmad’s life seems to be forgotten within the blood-red walls of his dargah. Sarmad is a sufi saint and perhaps that's enough in itself. Who cares for his story? Devotees come, pray, make wishes, sit, doze off, wake up, go away, and come back again. Like the Delhi walla.

Where Opposite Gate No. 2, Jama Masjid Nearest Metro Station Chandni Chowk

Thursday, May 01, 2008

City Neighbourhood – Gole Market

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City Neighbourhood – Gole Market

Excursion into the British-built district.

[Text and pictures by Mayank Austen Soofi]

You should never walk in Gole Market after dark. They say that peepal trees are the natural habitat of ghosts and many peepal trees are to be found here. Lining the avenues. Guarding the parks. Leaning over the temple walls. Blocking the view of Nirula's. Everywhere. Oddly, residents do not seem to be scared of these trees. I saw an old lady sleeping under its afternoon shade. A Punjab Kesari reader reclined against its trunk. And a young man peeing on it.

The core

At ground zero of Gole Market, the constituency of Chief Minister Sheila Dikshit. I'm surrounded by the peeling wall of the historic circular building. Surrounded by a traffic roundabout. Surrounded by a circle of colonnaded market. Its veins reaching out to more shops, bungalows and CPWD apartments. Connaught Place, Paharganj, Rajendra Nagar and Talkatora Garden touch its border.

Back to ground zero. It would be a good setting for horror flicks: an abandoned lamp post, animal offal, and a good number of hashish addicts and diseased dogs. The front of the circular exterior brings no relief. It is equally grim with rundown restaurants (like Sagar and Galina), and fly-infested meat and fish shops.

The outer circle, however, is cheery with its saree showrooms, mithai shops, liquor stores, and hair-cutting salons. Walk deeper to discover more life. Inside the by lanes, bored shopkeepers congregate in semi-circles and talk politics (CPI headquarters is close).

The Bengali stores

City Neighbourhood – Gole Market

But Saraswati Book Depot, on Bhagat Singh Marg, has a different flavour. Its owner, Hari Pada Das, is like a side character of Satyajit Ray's Feluda mysteries. All day long he sits in the freezing darkness of his ill-lit store selling Bengali-language books and journals. It is eerie in the shop: dusty shelves, scanty books, and a disconcerting quietness. Das laments the dwindling population of Bengalis. "This place abounded with Bengalis but many have left now. The business has gone down. The one-way traffic has made bad things worse," he says.

But some are happy. The renowned sitar maker, Sanjay Rikhiram, has his establishment in neighboring Bhagat Singh Market. "Gole Market is quiet and easily accessible. It also suits our foreign clientele. There are travel agencies and inexpensive hotels nearby and transaction is quick due to several ATMs," he says.

The past

Developed by the British in the twenties, Gole Market had senior government officials as its earliest occupants. Many happened to be Bengalis. No wonder there are shops selling a wide variety of Bengali products from Jamdani sarees to the Ganashakti newspaper.

The market's most visible historical artifact, the circular building, was a part of Edwin Lutyen's design for New Delhi. It has been added by the Ministry of Urban Development to the 'A' category of Indian heritage buildings. This is a reason to panic for many. NDMC, with grand plans for restoration, has deemed the structure dangerous and wants an immediate closure of the shops there. The grapevine says that the corporation wants a community center there. In one stroke, old eateries, meat shops, and the livelihoods of many will be swept away. Gole Market will lose its gole.

Gole Market landmarks

Most food lovers are familiar with Kaleva and Bengal Sweet House. Try Karachi Halwa too. It belongs to the Khemani family who migrated from Sindh almost a decade before the partition. If too much sweet proves to be unhealthy, then Ram Manohar and Lady Hardinge hospitals are close by. Many doctors used to live in the area. One neighbourhood is actually known as Doctor Lane.

There are many Gods in the locality. In fact, the aptly named Mandir Marg is lined with several houses of worship such as Valmiki Mandir, Birla Mandir, Kali Mandir, Arya Samaj Mandir, and St. Thomas' Church. There is also no dearth of schools – from Shahrukh Khan's St. Columba's to Kendriya Vidyalaya. Also don't miss walking past the R.M. Arya Girls Primary School in Doctor Lane. It is housed in a most beautiful colonial-era mansion.

Eminent resident

He died 59 years and 11 months ago. Mahatma Gandhi lived in a small room in Valmiki Basti, at Mandir Marg, for a total of 214 days during 1946-1947. He pointedly chose this place so as to live along side 'untouchables'. This small room is historic - Gandhi hosted several crucial meetings of the Congress party here. The members of the Cripps Mission came here to meet him. Today a visitor can still feel Gandhi's presence in the room. Indeed, Gandhiana, with all its paraphernalia - b/w pictures, writing table, ink pot, and the inevitable charka – runs smooth here.

Information you can use

According to property dealer R C Malhotra (9873452245), there are hardly any privately owned apartments in Gole Market. But government officers do discreetly rent out their allocated flats. The monthly rent of a 2-room flat ranges from Rs 4,000 to Rs 5,000, while a 3-room apartment can be had for Rs 8000.